Crítica ao Futuro

Does, as author of BLDGBLOG Geoff Manaugh proposes, the designer of the videogame Grand Theft Auto have more influence as an architect than David Chipperfield? Is criticism in the traditional sense still relevant or useful? If the role of the print publication in contemporary production irreversibly declines, what is its future role? What forces will shape architectural production in a post-critical environment? Is, as Kelly writes, a more realistic and rigorous approach to architectural criticism online urgently needed?

Ou, por outras palavras, o regresso da (eterna) polémica d'O Sabor da Crítica, agora, em directo, na Domus. A descoberta, essa , coube a Tiago Borges.